We’re with the writer Paul Elie, recalling the moment when popular culture came to sound like public prayer. There was Madonna in 1989, singing her number one hit “Like a Prayer.” The song is a marker for what Paul Elie calls crypto-religion. Let’s call it the artistic underground where unlabeled church themes took root in our lifetimes. It’s where religious mystery went, but not to die—almost the opposite. Crypto-zone is where pop culture stars found a space for moods and visions they had known growing up.
Paul Elie and Chris.
Think Leonard Cohen and his all-time hit with “Hallelujah.” Think Prince singing “I Would Die For You.” Think Bob Dylan and his gospel period with “Gotta Serve Somebody.” And it’s not just songs. Crypto-religion is the zone where the filmmaker, Martin Scorsese, imagined The Last Temptation of Christ. It’s where the pop artist Andy Warhol, himself a Catholic, made endless versions of Leonardo da Vinci’s masterpiece of Jesus at the Last Supper with his disciples.
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