Jason Rice is a street photographer whose work bridges the gap between personal history and urban observation. A graduate of Rhode Island School of Design (RISD), Jason balances his career in the book publishing industry with a devoted practice of street photography, particularly in New York City. His recently published book, Overseas, collects images from a 25-year archive of work created during his early years in Europe.
For Jason Rice, photography was never really a choice—it was an inheritance. Raised by art school parents in Rhode Island, with his father working as a photographer and his mother serving as Dean of Fine Arts at RISD, Jason grew up thinking “that was what parents did.” His childhood unfolded near or in darkrooms, surrounded by the making of physical things. “I come from a world of physical things where you, if you want to get attention, you make something,” he explains. This formative environment, where creativity was simply the family language, laid the groundwork for his approach to street photography.
Jason pays close attention to light and place, particularly in transportation centers. He describes the Moynihan train station in Manhattan like this: “The light that comes into the Moynihan Tunnel in the middle of the day is rays of heaven light.” For Jason, these transit spaces offer something magical—people waiting, delayed, bored, and momentarily disconnected from their routines. “Transportation centers are where it’s at for me,” he says, “because people are hanging out.”
Other photographers can learn three essential lessons from Jason’s approach. First, embrace patience and observation. Jason has spent a decade carefully watching how light moves across Manhattan through different seasons, understanding that great street photography requires intimate knowledge of your environment. Second, seek out spaces where people naturally pause and reveal themselves. Transit hubs, with their combination of dramatic light and human vulnerability, offer rich opportunities for authentic moments. Finally, understand that meaningful work often takes time to reveal itself—Jason didn’t even look at his European images for 25 years before recognizing their significance and publishing Overseas.
So relax and have a listen to my conversation with Jason Rice
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