Episodes

162
June 22, 2022

Damaged de Kooning on Display at Last

“I had heard the tale and knew what to expect, but it was by far the most damaged painting I had seen. When it arrived, it came into the studio and the damage was almost all that you could see.” In 2017 Willem de Kooning’s painting Woman-Ochre returned to the University of Arizona Museum of Art (UAMA) more than 30 years after it had been stolen off the gallery walls. Because the theft and subsequent treatment of the work had caused significant damage, the UAMA enlisted the Getty Museum and Gett...
161
June 8, 2022

Galley Slavery in 17th-Century France

"There’s been an assumption that any person who stepped foot on French territory in the metropole went free. In fact, enslaved Turks did not go free; they often spent their entire lifetime in servitude." Since the Middle Ages, France’s legal tradition as a “Free Soil” state meant that any enslaved person who stepped foot in Continental France would be freed. This led to the widespread misconception that there were no slaves in France after the 14th century. However, galley slavery was still a c...
160
May 25, 2022

Art, Luxury, and Power in Ancient Iran

“This interconnection between Greek tradition and science and mathematics, and the Babylonian traditions in astronomy and all these other very technical and very advanced sciences, this was a moment which really created the basis for science, mathematics, and so on in the Western world, and indeed, throughout the world, in later centuries and millennia.” For more than a millennium, the Persian empire was the major political and economic force in western Asia. Beginning in the sixth century BCE,...
159
May 11, 2022

Photographer Imogen Cunningham Gets Her Due

“When Cunningham passed away, I think in part her reputation was based on her personality, the fact that she had lived so long, the fact that she was full of witty quips, and she wouldn’t let anyone boss her around. But I think in some ways that eclipsed the work.” Born in Portland, Oregon, in 1883, photographer Imogen Cunningham joined a correspondence course for photography as a high schooler after seeing a magazine ad. Over the course of her 70-year career, Cunningham stirred controversy wit...
158
April 27, 2022

The Art of Anatomy from the 16th Century to Today

"Berengario’s books show animated cadavers and skeletons set in a landscape, often so animated that they’re displaying their own dissecting bodies to the viewer.” For centuries, doctors and artists have relied on renderings of the human body for their training. Until the Renaissance, anatomy studies were primarily textual, but in the late 15th and early 16th centuries illustrated anatomy books began to be published in greater numbers. Macabre prints of flayed bodies painstakingly depicted muscl...
157
April 13, 2022

Reflecting on Feminist Curator Marcia Tucker’s Boundary-Breaking Career

"It’s why she started a museum, because people said, 'You’re crazy. You can’t do that. Nobody does that without a collection, without money. You can’t.' And if somebody said, ‘No, you can’t do something,’ that made her wanna do it a hundred times over." After years of facing both subtle and overt sexism as a curator at the Whitney Museum in New York, Marcia Tucker founded the New Museum of Contemporary Art in 1977 with a small volunteer staff and a budget of $15,000. Placing herself at the helm...
156
March 30, 2022

Gala Porras-Kim Makes Art of Interrogation

"When I look at the law and also museum policy, it’s just so close to conceptual art making. You have a lot of material and you’re just trying to define how it lives in the world, except with the law, everybody agrees. With conceptual art, you have to convince people to believe in it." Gala Porras-Kim is an interdisciplinary artist whose work is both conceptually rigorous and visually compelling. Born in Bogotá and based in Los Angeles, Porras-Kim creates art that explores the relationship betw...
150
Dec. 22, 2021

Peter Paul Rubens and the Arts of Antiquity

"I think it just shows very well how Rubens worked, how he got the inspiration from antiquity, but he transforms it into something completely new and very alive." The Flemish Baroque painter Peter Paul Rubens is most famous for his dynamic, colorful renderings of religious scenes and mythological stories. Yet Rubens’s work was also deeply inspired by the art of the past. He was a keen student of classical antiquity, engaging with ancient sculptures, coins, gems, and cameos both at home and in h...
149
Dec. 8, 2021

Conserving Bagan in a Time of Uncertainty

“Bagan is actually a splendid site. You can imagine in only in this, like, fifty square kilometers, they have more than 3,000 monuments. And then all the monuments have different styles and different architecture.” The ancient past of Bagan, Myanmar, is still visible today in the more than 3,000 temples, monasteries, and works of art and architecture that remain at the site. Beginning around 1000 CE, Bagan served as the capital city of the Pagan Kingdom. Many of the surviving monuments date fro...
147
Nov. 10, 2021

Hans Holbein the Younger’s Captivating Portraits

“Holbein was able to combine his ability to create a very believable likeness with these strong design sensibilities, and also an ingenuity, a cleverness, a creativity to create individual portraits of specificity and complexity.” Hans Holbein the Younger (1497/98–1543) depicted some of the most important thinkers and politicians of his day in beautiful, highly individualized portraits. In Basel, he socialized with and painted humanists such as Desiderius Erasmus and Bonifacius Amerbach. In Lon...
146
Oct. 27, 2021

The Trailblazing Career of Spanish Baroque Sculptor Luisa Roldán

“She was not afraid. She wasn’t daunted. I think that’s one of the key differentiators about her and her career.” Sculptor Luisa Roldán (1652–1706) followed a rare path for women in 17th-century Spain. Like other female artists, she trained and worked in the studio of a male family member, in this case her father. After marrying at 19, she established herself as an independent artist. This set her apart from most other women of her day, who stopped making art when they started families of their...
145
Oct. 13, 2021

The Recovery and Conservation of a Stolen de Kooning

“We hear the security guards talking to one another on the walkie-talkie, saying that there’s a man on the line saying that he has a stolen painting. And I wish somebody could’ve seen us, because we just stopped our conversation and Jill’s eyes got big, and she said, ‘Oh, my gosh, are we gonna remember this moment for the rest of our lives.’” On the day after Thanksgiving in 1985, two thieves casually entered the University of Arizona Museum of Art (UAMA). They strolled out minutes later with W...
144
Sept. 29, 2021

A Century of Change for Latin American Metropolises, 1830–1930

“The metropolis is not just the city; it’s the mother city. It has a fundamental role in defining the history of these countries that we discussed in the book.” The period between 1830 and 1930 was one of global change, particularly in Latin America. Emerging from Spanish and Portuguese colonial rule at the start of the century, cities from Buenos Aires to Havana faced explosive population growth and rapid modernization, which reshaped the urban landscape and sociopolitical structures. These ch...
143
Sept. 15, 2021

Fluxus, Change, and the Nature of Art

"Everything was made of the most familiar objects. It could’ve been taken off a desk or a kitchen counter or something, and put into action. They were inert, but their meaning wasn’t. I thought to myself, this isn’t art; it’s better." In the early 1960s, artists from around the world practicing in wide-ranging disciplines—from music to dance, visual art to poetry—began to coalesce in a movement called Fluxus. Fluxus grew out of the absurdity of Dada, Surrealism, and Futurism, drawing inspiratio...
142
Sept. 1, 2021

Japanese Calligraphy Albums as/and Fragments

“To really read into the fragment that you have in front of you and to imagine the rest of what was the whole text is really romantic and an enjoyment of tekagami viewing.” The rise of tea drinking ceremonies during the Edo period (1615–1868) brought about another new cultural phenomenon: calligraphy albums. Called tekagami, or “mirror of hands,” these albums showcase calligraphy by 8th-century emperors, famed poets, and other illustrious figures from Japan’s past. The calligraphic samples are ...
141
Aug. 18, 2021

Riffing on Rubens in the Spanish Americas

“You could easily say ‘I can’t believe Rubens held such sway deep into the 18th century in Latin America as a touchpoint. Wow. That’s profound.’ But that, to me, is much less important than rethinking fundamental categories of picture making.” One of the biggest influences on art in the Spanish Americas from the 16th through 18th centuries was Peter Paul Rubens. Although the renowned Flemish artist never traveled to the Americas himself, missionaries, merchants, and colonizers flooded the regio...
140
Aug. 4, 2021

Edmund de Waal’s Letters to Camondo

“When you pick an object up, not only do you begin to understand how it was made, it’s facture, the people who made it, but you can also, I think, begin to start to tell the story about the people whose hands it was in.” Prominent Jewish banker and art collector Moise de Camondo settled in Paris in the 1870s and quickly began amassing the signifiers of wealth around him—a beautiful home, fine furniture, and artistic masterpieces. But after his only son, Nissim, was killed fighting for France in...
139
July 21, 2021

New Narratives by LA Photographers of All Ages

“Photography, historically, has been used to pin people of color in a particular location to a particular identity or stereotype, and the artists in this exhibition work to unpin that.” Photography is a uniquely accessible and flexible medium today, encompassing everything from cell-phone snapshots to large-format negatives, from formal studio sets to casual selfies. Nonetheless, photographs of people of color have historically played on negative stereotypes and fixed identities. In the exhibit...
138
July 7, 2021

A Walk in Robert Irwin’s Getty Garden

“He often said is that this was a garden not for the visitors. He was happy if visitors enjoyed it; it was a garden for the people who worked here, who every single day, would see the slight changes and would have a seasonal experience.” The largest work of art at the Getty Center is located outside the galleries—the Central Garden, designed by artist Robert Irwin. The garden stretched Irwin’s understanding of what art could be; it is alive and changing with every passing moment. In the nearly ...