Episodes

In this special live episode of Recording Artists, season two host Tess Taylor speaks with Getty Research Institute curator Pietro Rigolo about the making of the series, what she discovered through the letters, and artists’ stories and letters that didn’t make the cut. Author Maya Binyam joins them to bring the letters to life via dramatic readings. This program is co-presented with the Los Angeles Review of Books. The Getty Patron Program is a proud sponsor of this podcast. Learn more about t...

In 1975, Meret Oppenheim’s small painting Würgeengel, or Angel of Death, is included in a sprawling exhibition organized by famous curator Harald Szeemann. She had painted it over 40 years earlier, when she was only 16 years old. The only problem now is that the curator has totally misunderstood her artwork—and placed it in a sexist context in the show. Rather than meekly accept this, Oppenheim writes Szeemann a deeply personal letter. Across five pages, she details the challenges she faced as a...

In the mid-1960s, Nam June Paik is living in a run-down studio in SoHo, struggling to make ends meet. But even as he jokes about his ongoing battle against cockroaches, he is building his network, seeking out support for his artist friends, and always experimenting with form. Paik’s vibrant personality is on full display in a letter from this period to musician David Tudor. Partially typewritten, partially handwritten, and full of wild punctuation and inside jokes, the letter’s main purpose is t...

On May 20, 1962, the morning after his first child is born, Benjamin Patterson writes a touching birth announcement to his own parents. The letter covers all the usual details—the baby’s weight and height, how the birth went, what the hospital is like—but its form is totally unique. Most of the letter is written in the voice of his newborn son, Ennis. Patterson, then a young, struggling musician and composer living as an American expat in Paris, shows off his creativity and experimental writing ...

By 1956, M. C. Richards has earned a PhD in English, taught poetry at Black Mountain College, gotten married (and divorced) twice, dedicated herself to pottery, helped found an artists’ cooperative alongside creators like John Cage, and become deeply romantically involved with avant-garde musician David Tudor. Tudor is often on the road, but luckily Richards is an incredible letter-writer. In her notes to him, she plays with language and sends messages of love, all while keeping Tudor up to date...

In 1944, Frida Kahlo is at a crossroads, both in terms of her health and her career. In April of that year, with World War II dragging on, she writes to her gallerist—and former lover—Julien Levy. In this tender and personal letter, she moves from the logistical challenges of sending art across national borders during wartime, to describing her painful new steel corsets, to asking after her many friends in New York, where Levy lives. Unpacking this letter and exploring Kahlo’s words written in h...

It’s July 1942, and the artist Marcel Duchamp has recently arrived in New York City after fleeing the Nazis in Vichy France. As he settles in, he writes to his longtime friend and fellow artist Man Ray, who is living in California. In this casual letter, Duchamp asks Man Ray for help. He needs buyers for his latest artwork: a suitcase containing miniatures of many of his most famous pieces, from the mass-produced urinal he signed his name to and called art to his mustachioed Mona Lisa. He ends w...

In season two of Recording Artists, titled Intimate Addresses, host Tess Taylor dives into the lives of six artists. From personal letters pulled from Getty’s archives, discover more about artists you’ve probably heard of like Frida Kahlo and meet some who might be less familiar like Benjamin Patterson. Listen as they collaborate, fight for justice, ask for money, work through pain, and affirm their resilience. Anna Deavere Smith reads the letters, and contemporary artists and art historians joi...