Episodes

The elements of the show start to lock into place, albeit in forms still not quite ironed out all the way—and wouldn't be until around the fourth or fifth episode of the show proper. But you can already tell that '80s All Over was well on its way, despite the way overlong intro and the not-so-quality sound quality. It certainly helped that August of 1979 provided Scott and Drew with a ton of great topics to touch on, including Apocalypse Now, The Amityville Horror, and the comic majesty of one B...

The elements of the show start to lock into place, albeit in forms still not quite ironed out all the way—and wouldn't be until around the fourth or fifth episode of the show proper. But you can already tell that '80s All Over was well on its way, despite the way overlong intro and the not-so-quality sound quality. It certainly helped that August of 1979 provided Scott and Drew with a ton of great topics to touch on, including Apocalypse Now, The Amityville Horror, and the comic majesty of one B...

The elements of the show start to lock into place, albeit in forms still not quite ironed out all the way—and wouldn't be until around the fourth or fifth episode of the show proper. But you can already tell that '80s All Over was well on its way, despite the way overlong intro and the not-so-quality sound quality. It certainly helped that August of 1979 provided Scott and Drew with a ton of great topics to touch on, including Apocalypse Now, The Amityville Horror, and the comic majesty of one B...

We've got socially conscious comedies that are just barely conscious, like SO FINE and CARBON COPY, as well as a slew of wacko horror films like HOME SWEET HOME and DON'T GO IN THE WOODS, and we've got Robert Duvall and Robert De Niro as brothers tangled up in the Black Dahlia case in '40s Los Angeles. Walter Hill, young Rachel Ward, a tame John Belushi, a trio of very different movie mothers, and one of the best scores of the '80s. All of this, and we get to determine if Mel Gibson did or didn...

We've got socially conscious comedies that are just barely conscious, like SO FINE and CARBON COPY, as well as a slew of wacko horror films like HOME SWEET HOME and DON'T GO IN THE WOODS, and we've got Robert Duvall and Robert De Niro as brothers tangled up in the Black Dahlia case in '40s Los Angeles. Walter Hill, young Rachel Ward, a tame John Belushi, a trio of very different movie mothers, and one of the best scores of the '80s. All of this, and we get to determine if Mel Gibson did or didn...

We've got socially conscious comedies that are just barely conscious, like SO FINE and CARBON COPY, as well as a slew of wacko horror films like HOME SWEET HOME and DON'T GO IN THE WOODS, and we've got Robert Duvall and Robert De Niro as brothers tangled up in the Black Dahlia case in '40s Los Angeles. Walter Hill, young Rachel Ward, a tame John Belushi, a trio of very different movie mothers, and one of the best scores of the '80s. All of this, and we get to determine if Mel Gibson did or didn...

The last Patreon exclusive was recorded shortly after one of the show's biggest decisions was made: To call the show '80s All Over as opposed to the original title... "Klytus, I'm Bored." An amazingly delivered line, but maybe not the most appealing or informative name for the podcast. But the proper tribute was shortly paid, as Drew and Scott convened for this commentary focused fully one of their most favorite films of the entire decade.

The last Patreon exclusive was recorded shortly after one of the show's biggest decisions was made: To call the show '80s All Over as opposed to the original title... "Klytus, I'm Bored." An amazingly delivered line, but maybe not the most appealing or informative name for the podcast. But the proper tribute was shortly paid, as Drew and Scott convened for this commentary focused fully one of their most favorite films of the entire decade.

The last Patreon exclusive was recorded shortly after one of the show's biggest decisions was made: To call the show '80s All Over as opposed to the original title... "Klytus, I'm Bored." An amazingly delivered line, but maybe not the most appealing or informative name for the podcast. But the proper tribute was shortly paid, as Drew and Scott convened for this commentary focused fully one of their most favorite films of the entire decade.

Not one, but two comedies about the homeless or the mentally ill this week, because in Reagan's America, who didn't find an unbalanced street person delightful? Scott and Drew try to figure out how films like CHU CHU AND THE PHILLY FLASH and HONKY TONK FREEWAY got made, they talk about the lack of charisma that is Chuck Norris, they discuss the weird and often upsetting sexual mores of early '80s comedies, and they debate the relative merits of STUDENT BODIES. We've got early films from Austral...

Not one, but two comedies about the homeless or the mentally ill this week, because in Reagan's America, who didn't find an unbalanced street person delightful? Scott and Drew try to figure out how films like CHU CHU AND THE PHILLY FLASH and HONKY TONK FREEWAY got made, they talk about the lack of charisma that is Chuck Norris, they discuss the weird and often upsetting sexual mores of early '80s comedies, and they debate the relative merits of STUDENT BODIES. We've got early films from Austral...

Not one, but two comedies about the homeless or the mentally ill this week, because in Reagan's America, who didn't find an unbalanced street person delightful? Scott and Drew try to figure out how films like CHU CHU AND THE PHILLY FLASH and HONKY TONK FREEWAY got made, they talk about the lack of charisma that is Chuck Norris, they discuss the weird and often upsetting sexual mores of early '80s comedies, and they debate the relative merits of STUDENT BODIES. We've got early films from Austral...

You can't just start a podcast fully-formed with your very first episode. Rather, I'm sure you can, it just won't stay that way very long, and it probably won't sound all that great. Usually you gotta put some training wheels on the bike and take a couple laps around the block before you show off to your friends. Before the "official" launch, Scott and Drew had to figure out their rhythm and get used to transforming their conversations into a show, and that meant practicing on the month of Decem...

You can't just start a podcast fully-formed with your very first episode. Rather, I'm sure you can, it just won't stay that way very long, and it probably won't sound all that great. Usually you gotta put some training wheels on the bike and take a couple laps around the block before you show off to your friends. Before the "official" launch, Scott and Drew had to figure out their rhythm and get used to transforming their conversations into a show, and that meant practicing on the month of Decem...

You can't just start a podcast fully-formed with your very first episode. Rather, I'm sure you can, it just won't stay that way very long, and it probably won't sound all that great. Usually you gotta put some training wheels on the bike and take a couple laps around the block before you show off to your friends. Before the "official" launch, Scott and Drew had to figure out their rhythm and get used to transforming their conversations into a show, and that meant practicing on the month of Decem...

After the extreme high of June 1981, brace yourself for the very strange month that followed. You want Albert Finney fighting semi-werewolves? You want drunk Dudley Moore? You want to see Mary Poppins with her boobs out? You want to see Bo Derek have sex with an orangutan? Why? What's wrong with you? Brooke Shields, ground zero for the '80s 3D craze, Darby Crash, Carrie Fisher and a bunch of little people, and Pele versus WWII... all part of the insane landscape that made up July 1981.

After the extreme high of June 1981, brace yourself for the very strange month that followed. You want Albert Finney fighting semi-werewolves? You want drunk Dudley Moore? You want to see Mary Poppins with her boobs out? You want to see Bo Derek have sex with an orangutan? Why? What's wrong with you? Brooke Shields, ground zero for the '80s 3D craze, Darby Crash, Carrie Fisher and a bunch of little people, and Pele versus WWII... all part of the insane landscape that made up July 1981.

After the extreme high of June 1981, brace yourself for the very strange month that followed. You want Albert Finney fighting semi-werewolves? You want drunk Dudley Moore? You want to see Mary Poppins with her boobs out? You want to see Bo Derek have sex with an orangutan? Why? What's wrong with you? Brooke Shields, ground zero for the '80s 3D craze, Darby Crash, Carrie Fisher and a bunch of little people, and Pele versus WWII... all part of the insane landscape that made up July 1981.

Of all the films Drew and Scott have championed on the show, none are as thoroughly beloved as this: Robert Altman's bizarre, unique, touching, and authentic adaptation of the classic comic strip, giving star Robin Williams one of his earliest opportunities to show he was more than just Mork; and casting Shelley Duvall as Olive Oyl - which is still the single most perfect piece of comic movie casting in film history.

Of all the films Drew and Scott have championed on the show, none are as thoroughly beloved as this: Robert Altman's bizarre, unique, touching, and authentic adaptation of the classic comic strip, giving star Robin Williams one of his earliest opportunities to show he was more than just Mork; and casting Shelley Duvall as Olive Oyl - which is still the single most perfect piece of comic movie casting in film history.

Of all the films Drew and Scott have championed on the show, none are as thoroughly beloved as this: Robert Altman's bizarre, unique, touching, and authentic adaptation of the classic comic strip, giving star Robin Williams one of his earliest opportunities to show he was more than just Mork; and casting Shelley Duvall as Olive Oyl - which is still the single most perfect piece of comic movie casting in film history.

Put simply, this is the biggest episode we've released so far. When we talk about big months, you can't get much more packed than this. CLASH OF THE TITANS. FOR YOUR EYES ONLY. STRIPES. DRAGONSLAYER. HISTORY OF THE WORLD PART 1. That would be a lot, right? But that's not it. DEMONOID also came... wait, what the hell is DEMONOID? SUPERMAN II. THE GREAT MUPPET CAPER. THE CANNONBALL RUN. And a dude named Indiana Jones. You are not ready. We were not ready. This is why we do this podcast.

Put simply, this is the biggest episode we've released so far. When we talk about big months, you can't get much more packed than this. CLASH OF THE TITANS. FOR YOUR EYES ONLY. STRIPES. DRAGONSLAYER. HISTORY OF THE WORLD PART 1. That would be a lot, right? But that's not it. DEMONOID also came... wait, what the hell is DEMONOID? SUPERMAN II. THE GREAT MUPPET CAPER. THE CANNONBALL RUN. And a dude named Indiana Jones. You are not ready. We were not ready. This is why we do this podcast.

Put simply, this is the biggest episode we've released so far. When we talk about big months, you can't get much more packed than this. CLASH OF THE TITANS. FOR YOUR EYES ONLY. STRIPES. DRAGONSLAYER. HISTORY OF THE WORLD PART 1. That would be a lot, right? But that's not it. DEMONOID also came... wait, what the hell is DEMONOID? SUPERMAN II. THE GREAT MUPPET CAPER. THE CANNONBALL RUN. And a dude named Indiana Jones. You are not ready. We were not ready. This is why we do this podcast.