Episodes

Scott flies solo on this bonus that is pulled entirely from his very active Twitter feed: He poses a question to the listeners, the listeners react, and then Scott reacts back. It's an extended act of react-ception, really. Not sure if that's the right word for it, though. It's not a word anyway, so it probably doesn't matter. Anyway, enjoy this half-hour of intimate alone time with Scott and his Twitter.

Scott flies solo on this bonus that is pulled entirely from his very active Twitter feed: He poses a question to the listeners, the listeners react, and then Scott reacts back. It's an extended act of react-ception, really. Not sure if that's the right word for it, though. It's not a word anyway, so it probably doesn't matter. Anyway, enjoy this half-hour of intimate alone time with Scott and his Twitter.

Scott flies solo on this bonus that is pulled entirely from his very active Twitter feed: He poses a question to the listeners, the listeners react, and then Scott reacts back. It's an extended act of react-ception, really. Not sure if that's the right word for it, though. It's not a word anyway, so it probably doesn't matter. Anyway, enjoy this half-hour of intimate alone time with Scott and his Twitter.

Ewoks, man. Ewoks.There are other movies, too.

Ewoks, man. Ewoks.There are other movies, too.

Ewoks, man. Ewoks.There are other movies, too.

While the main show is solely for qualitatively cherished entertainments of the '80s, this bonus episode not only allowed Scott and Drew a chance to dig into Steven Spielberg's brand-spankin-new adaptation of a book that could have only been written because of the '80s, Ready Player One, but those insights are fleshed out via an interview with that film's writer, Zak Penn, who talks at length about his own intense '80s experiences, and the films that inspired him to become a filmmaker.

While the main show is solely for qualitatively cherished entertainments of the '80s, this bonus episode not only allowed Scott and Drew a chance to dig into Steven Spielberg's brand-spankin-new adaptation of a book that could have only been written because of the '80s, Ready Player One, but those insights are fleshed out via an interview with that film's writer, Zak Penn, who talks at length about his own intense '80s experiences, and the films that inspired him to become a filmmaker.

While the main show is solely for qualitatively cherished entertainments of the '80s, this bonus episode not only allowed Scott and Drew a chance to dig into Steven Spielberg's brand-spankin-new adaptation of a book that could have only been written because of the '80s, Ready Player One, but those insights are fleshed out via an interview with that film's writer, Zak Penn, who talks at length about his own intense '80s experiences, and the films that inspired him to become a filmmaker.

Ahhh, April. It's not summer yet, but the holidays are done, and in 1983, studios didn't know what the hell to do with themselves. Fassbinder's final feature film, some more teen sex comedies, a horror film that's barely a horror film, another horror film that is mainly a great poster in search of a movie, OJ Simpson and a dog, and possibly one of the best Italian knock-off post-apocalyptic films ever made... and that's just the start. Do you like Chuck Norris? Why? Even if you don't, though, ...

Ahhh, April. It's not summer yet, but the holidays are done, and in 1983, studios didn't know what the hell to do with themselves. Fassbinder's final feature film, some more teen sex comedies, a horror film that's barely a horror film, another horror film that is mainly a great poster in search of a movie, OJ Simpson and a dog, and possibly one of the best Italian knock-off post-apocalyptic films ever made... and that's just the start. Do you like Chuck Norris? Why? Even if you don't, though, ...

Ahhh, April. It's not summer yet, but the holidays are done, and in 1983, studios didn't know what the hell to do with themselves. Fassbinder's final feature film, some more teen sex comedies, a horror film that's barely a horror film, another horror film that is mainly a great poster in search of a movie, OJ Simpson and a dog, and possibly one of the best Italian knock-off post-apocalyptic films ever made... and that's just the start. Do you like Chuck Norris? Why? Even if you don't, though, ...

Not so much a guest spot or a bonus episode as it was a wholly satisfying podcast mash-up combining two great movie-loving tastes that cannot stay on-topic if everyone's lives depended on it. Brian Salisbury and C. Robert Cargill of Junkfood Cinema come roaring into this bonus episode of '80s All Over and even attempting to describe the movie-flavored madness that's indulged would do the episode a disservice. You gotta listen!

Not so much a guest spot or a bonus episode as it was a wholly satisfying podcast mash-up combining two great movie-loving tastes that cannot stay on-topic if everyone's lives depended on it. Brian Salisbury and C. Robert Cargill of Junkfood Cinema come roaring into this bonus episode of '80s All Over and even attempting to describe the movie-flavored madness that's indulged would do the episode a disservice. You gotta listen!

Not so much a guest spot or a bonus episode as it was a wholly satisfying podcast mash-up combining two great movie-loving tastes that cannot stay on-topic if everyone's lives depended on it. Brian Salisbury and C. Robert Cargill of Junkfood Cinema come roaring into this bonus episode of '80s All Over and even attempting to describe the movie-flavored madness that's indulged would do the episode a disservice. You gotta listen!

Before we even get into how surprisingly good this month is, let's just say there's a movie here that could be considered one of the most influential movies almost no one has seen, and without telling you what it is, I'll just say that we'll cover a lot of hip-hop films this decade, and it all starts here. Did we mention it's March of 1983already? And that it's a better month than we expected? I mean, we can make the case for at least two all-timers this month, and maybe three, and that's not co...

Before we even get into how surprisingly good this month is, let's just say there's a movie here that could be considered one of the most influential movies almost no one has seen, and without telling you what it is, I'll just say that we'll cover a lot of hip-hop films this decade, and it all starts here. Did we mention it's March of 1983already? And that it's a better month than we expected? I mean, we can make the case for at least two all-timers this month, and maybe three, and that's not co...

Before we even get into how surprisingly good this month is, let's just say there's a movie here that could be considered one of the most influential movies almost no one has seen, and without telling you what it is, I'll just say that we'll cover a lot of hip-hop films this decade, and it all starts here. Did we mention it's March of 1983already? And that it's a better month than we expected? I mean, we can make the case for at least two all-timers this month, and maybe three, and that's not co...

Scott goes solo on this very special episode with the star of flat-out classics like Re-Animator and From Beyond, Barbara Crampton, who shares a lot of very interesting behind-the-scenes stories on getting those indelible roles, and what it's like to keep a career healthy through four decades of Hollywood changes.

Scott goes solo on this very special episode with the star of flat-out classics like Re-Animator and From Beyond, Barbara Crampton, who shares a lot of very interesting behind-the-scenes stories on getting those indelible roles, and what it's like to keep a career healthy through four decades of Hollywood changes.

Scott goes solo on this very special episode with the star of flat-out classics like Re-Animator and From Beyond, Barbara Crampton, who shares a lot of very interesting behind-the-scenes stories on getting those indelible roles, and what it's like to keep a career healthy through four decades of Hollywood changes.

Okay, you know what? 1983 is already getting really interesting. Think about what we get to talk about this week. Bukowski. Wim Wenders. The Year Of Living Dangerously. Pinter. Hal Ashby. The Rolling Stones. Gilbert & Sullivan. Linda Ronstadt. And at least three genuinely all-time great films that I haven't even hinted at? I see you, 1983, and I like where you're going. Let's do this.

Okay, you know what? 1983 is already getting really interesting. Think about what we get to talk about this week. Bukowski. Wim Wenders. The Year Of Living Dangerously. Pinter. Hal Ashby. The Rolling Stones. Gilbert & Sullivan. Linda Ronstadt. And at least three genuinely all-time great films that I haven't even hinted at? I see you, 1983, and I like where you're going. Let's do this.

Okay, you know what? 1983 is already getting really interesting. Think about what we get to talk about this week. Bukowski. Wim Wenders. The Year Of Living Dangerously. Pinter. Hal Ashby. The Rolling Stones. Gilbert & Sullivan. Linda Ronstadt. And at least three genuinely all-time great films that I haven't even hinted at? I see you, 1983, and I like where you're going. Let's do this.