Episodes

To be honest, I didn’t really expect both of the musicians I approached this year to be both very open to the idea of an interview and so generous with their time. But I’m definitely glad that they were, especially because you get to benefit from the chats I had with them. And during this holiday season you get two long episodes instead of one semi-long one. Win-win all around! Brandon Walker’s “Chinese Food on Christmas” isn’t as Baltimore-centric as David DeBoy’s song is, but it definitely ha...

Over the last several years, radio stations have been snapped up by large corporations. Then, as a cost-cutting measure, certain functions have been centralized. One of these has been the stations’ playlists, the literal list of songs that a station has in its rotation. This has led to a homogenization of radio stations and it kind of makes them not as much fun to listen to when you travel. That said, there are going to be variations to the playlists depending on requests and local tastes. For ...

Such a life I’ve had lately, what with getting Covid and then getting part of the house renovated…four weeks of a two-week project. And the job isn’t even done, but that’s not the contractor’s fault. (Replacement parts, don’tcha know.) And for some reason it’s taking forever to put the kitchen—the whole downstairs, really—back together. Anyway. This episode takes a peek at the song that arguably became the Four Tops’ signature hit. The funny thing is, none of the Tops thought it would be a hit...

If you haven’t been paying attention (and, based on the download statistics, you haven’t), I’m part of a second podcast, where I take on more of a support role than as the lead voice. The show is called Words and Movies, in which my partner Sean Gallagher and I choose a pair of films and find the links between them. In an upcoming episode, we discuss a film from 2007 called Honeydripper, starring Danny Glover. There’s a scene involving Glover’s character and a blind musician played by Keb’ Mo’,...

Pardon my allergies; I’ve sounded kind of rough for a week or so. There was a lot of throat-clearing to edit out of this one. I can’t even blame the Southern Studio on this one; it’s the direct result of spending too much time cutting the grass at home. (And THEN I can blame the Southern Studio a little bit, because I went there the next day and it certainly didn’t help matters.) How does one spend too much time cutting the grass? By having an electric mower and starting the job with a battery ...

Screen capture of McCarty during our Zoom-based interview. Jim McCarty is one of the founding members of The Yardbirds, and he’s recently published his second book, She Walks in Beauty: My Quest for the Bigger Picture. It’s a journey that starts with the death of his wife Lizzie and then jumps back to earlier in his life, as he examines the various things that connect us to parts of the world that are just beyond our reach. I was hooked immediately when I began reading this book, and no doubt y...

When the Red Hot Chili Peppers’ Blood Sugar Sex Magik first came out, I’d just left a job working in a record store and was doing some part-time work as a mobile DJ. I had a few regular gigs here and there on Long Island, which is where it’s at when you do that sort of thing, because you get to know your crowd and who likes what, etc. Weddings and birthday parties, etc. were just Death on a Triscuit, because you have guests of all different ages, and the old people want to hear one thing, and th...

This is a show that I made a long while back specifically for the Patreon crowd. Those are the folks who have been supporting the program and helping me to cover some of the hosting and other costs attached to doing the show (e.g. subscriptions, software, etc.). In fact, it was so long ago that the show’s logo changed in the interim. I had to re-do the cover art to accommodate the change. (Changing the lettering is easy; the rest of it was more complicated than it should have been. But now I’m j...

Hi, folks: I know, the feed has been quiet for awhile. Listen and you’ll hear a little bit of the story, and what happens next. (Don’t worry, I’m not quitting the show.)

For the last few weeks I’ve been having some weird troubles with the websites for both this podcast and the other one (wordsandmovies.com, in case you didn’t know), especially with the other one. Pages would load slowly on my end, or not at all, which made it very difficult for me to post anything. And in the case of this site, it rendered releasing new episodes nearly (but not completely) impossible. So, after many hours on the phone with my webhost provider—most of them on hold—I finally gave ...

If you want to get technical about it, Looking Glass was NOT a one-hit wonder. “Brandy” was, to be sure, their biggest hit and the song that most people identify with the band. But “Jimmy Loves Mary-Anne,” the opening track from their second album, spent only one week less on the Billboard Hot 100 chart than “Brandy” did. Okay, it peaked at #33 while “Brandy” spent most of its chart life at or near the top, but still. “Brandy (You’re a Fine Girl)” was actually a departure from their usual soun...

Wang Chung was a band that wasn’t getting a lot of traction when they had a more traditionally Chinese name. I remember that early self-titled album Huang Chung and I have to admit I was a little put off by it, because it frankly wasn’t especially cool-looking, so I didn’t give it much of a chance. By the time their fourth album, Mosaic, came out, they’d switched labels a couple of times and had enlisted the help of people like David Geffen and Peter Wolf to get them on track. In fact, Wolf lis...

OK, I know it’s not midweek, as I’d promised. But I am back after an unscheduled hiatus, and with any luck I’ll be posting more regularly. Patrons, I’ll be updating you regularly in the Newsletter (which I swear won’t be so much about me, but you’re on the journey too and I do appreciate your support). “I Can Help” is one of those songs that managed to come together very quickly for Billy Swan, and it turned into his biggest hit as a songwriter, and his only hit as a performer. One of the thing...

This episode is a special one, boys and berries. Mike Messner, from the podcast Carefree Highway Revisited, joined me a few weeks ago to talk about the Gordon Lightfoot hit “Sundown.” “Sundown” was Lightfoot’s only song to reach Number One on the Billboard Hot 100. During our conversation we each took our own approach to the song. So what you’re getting is a pretty well-rounded view of it. In addition, we make a couple of fun diversions to another Lightfoot song and my own personal heartaches....

Oh, I do enjoy breaking format once in awhile to do special episodes like this one. For this year’s Christmas episode, I return to the songs that you don’t seem to hear on the radio when the stations are playing All Christmas All The Time. You’d think that with the huge catalog of recordings to choose from (even if the list of songs is relatively limited), radio stations could go on for literally days without ever repeating a recording. But no, we’re going to get Mariah Carey and Trans Siberian...

When the B-52s first hit the music scene, even their own reaction to the sound of their first album was “this is SO bleak!” because it was relatively unproduced. There was no reverb, no echo, no studio tricks filling out the gaps in the recording. And then they decided they liked it that way. Their first single, “Rock Lobster,” was originally much faster. Then it was slowed down a little and made longer. Then it was cut down for the 45. Then it was cut down again for the radio. It didn’t matter...

This whole episode came about because of a request by someone who wanted to hear the story behind a song. Unfortunately there wasn’t a lot to it, but it got me thinking about other songs with similar subject matter. And now that I’m typing this, I realize that all the songs I discuss came from roughly the same period of time. What the hell was going on in the late 70s, anyway? Ah, well. With this episode I feel as though I’ve bookended a series that I started all the way back in Episode 80. Her...

John Hall, you may remember from a couple of episodes ago, is the founder of the band Orleans. He recently released a solo album, his seventh (if you count the John Hall Band material). After spending some time in local and national politics, he returned to Orleans and they’re still making music. In fact, at the time of the previous interview they were putting the finishing touches on Orleans’ first Christmas album. That album is now finished and is available for your purchasing and listening p...

I gotta tell you, I’ve been trying like a maniac to record this episode for several days. I typically take a break in August when I go to the Podcast Movement confab (every other year, it seems), and I come back with a bunch of actionable ideas and a few new contacts, and I kind of have to let it percolate in my head before I’m ready to come back. In the meantime, I was working on a David Bowie episode, and I frankly got writer’s block. I was going in a hundred directions at once, and the stor...

John Hall has been around the block a few times, and he’s not finished traveling. In fact, when he and I chatted via Skype a short time ago, he was in the middle of a move from New York to Tennessee, and making that move in between gigs for both his solo shows and with the band that cemented his position in the Rock and Roll firmament, Orleans. In this episode we talk about the early days of his career, including how a couple of Orleans’ first few hits came to be. We also get into his time awa...

Original cover photo by awatif abdulaziz on Scopio Olivia Newton-John was already a pretty big star by the time 1974 rolled around, but she still hadn’t scored a Number One hit. Then along came Peter Allen, who was coincidentally also from Australia. Allen was putting together an album of his own, and he enlisted Jeff Barry to help him with the songwriting. Together they put together “I Honestly Love You” and cut a demo. The intent of the demo was to have something to work from when they record...

The interesting thing about this song is that it was written for a specific singer. That said, it’s been a pretty big hit for many different artists over the years. “Everlasting Love” was written in 1967 specifically to match Robert Knight’s voice, but it’s proven to be quite the malleable tune. It’s been rendered in R&B, in disco, in rock, in techno and god knows what else. So the story behind the song isn’t incredibly interesting. Interesting, but not incredibly so. But the journey it’s take...

Since I was a young adult, I’ve liked listening to Janis Joplin. That bluesy rasp she always had going on really underlined her overall sound. And like so many others my age, I devoured her biography Buried Alive. One of the things that struck me then was the way so many of the people from her hometown of Port Arthur, Texas, thought she’d ruined her voice because she’d sounded sweeter and purer as a teenager. Of course, they also bullied the hell out of her because she had an artistic mindset an...

This week I’ve got something extra-special for you. It’s an interview with Anthony Robustelli, whom I got to speak with recently via Skype. Anthony is a musician who has toured with lots of big-name performers, he’s written books about Steely Dan and The Beatles (with more to come currently on the back burner), he’s got a Beatles-based podcast that takes a whole new look at them, and his latest project is a 3D animated rock opera that takes place in the ashes of the 2016 election. Whether your ...