Episodes

Scholar Jocelyn Robinson says about one-third of Historically Black Colleges and Universities have radio stations. Her mission is to survey them and help preserve their histories and recorded legacies through the HBCU Radio Station Archival Survey Project, which she directs. On this episode Robinson tells us about this project, and explains why it’s important to preserve this heritage. Her interest in radio was sparked at WYSO-FM in Yellow Springs, Ohio, a station founded by college students wh...

On this week’s episode, scholar Lerone Martin shares with us the fascinating history of African-American preachers who distributed their sermons on 78rpm records during a time when they had limited access to the radio in the 1920s-1940s. Martin, Associate Professor in Religion and Politics at the John C. Danforth Center on Religion and Politics at Washington University in St. Louis, is the author of Preaching on Wax: The Phonograph and the Making of Modern African American Religion. This is a r...

Over the course of four seasons, the Peabody-nominated podcast “Scene on Radio,” a production of the Center for Documentary Studies at Duke University, has earned a reputation for tackling head-on difficult topics around race, gender, justice and equity. But it didn’t start out that way. It started life as a documentary anthology that host and producer John Biewen calls a “hodge podge.” Then, for the second season John decided to take on race in America by exploring the history and meaning of w...

Portrayals of radio in popular culture provide an interesting glimpse at radio’s role in society. At Radio Survivor, we’ve long been fascinated by radio depictions on both the small and large screen; so it is a treat to dive into this topic with Hemrani Vyas, Programming Coordinator at Turner Classic Movies (TCM). Vyas curated an entire day of radio-themed films for the cable network, focusing on the era of 1930 to 1950. This week we talk about some of the featured films and also dig into a broa...

In 2019 we celebrated International Women’s Day by recording a fascinating interview about women’s radio history with University of Louisville Professor of History Christine Ehrick. Author of Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930-1950, Ehrick schools us on the hidden history of a pioneering women’s radio station in Uruguay. Founded in 1935, Radio Femenina quickly became a hotbed for feminist and activist programming, beaming its signal from Mon...

Some consider the late 1960s through the mid-1990s to be a “golden age” of college radio. History professor Katherine Rye Jewell, from Fitchburg State University, notes that the period begins with college stations taking to the FM dial, and concludes with the rise of the internet. During that time, college radio stations certainly at times did have prominence in the culture, which meant they also were subject to complaints and kerfuffles, sometimes gaining the attention of local media and politi...

A common theme on Radio Survivor is that claims of being first should be viewed skeptically. From purported first college radio station to first internet simulcast, we’ve learned that there’s always another challenger to the prize. This time around, however, we can say this is definitively the first ever episode of Radio Survivor broadcast, and recorded, live on the air. We make the leap into live broadcasting at the request of Portland, OR community station XRAY.fm, which is the station that p...

Did you know that a lot of folks in Europe listen to radio on their televisions? Neither did we, until we talked with James Cridland, editor of the daily Podnews email newsletter and radio futurologist. He explains that outside of North America much of radio is enjoyed on more platforms, from digital DAB to, yes, television. With a career reaching back to the early internet forays of the BBC and Virgin Radio in the UK, and as a frequent international conference speaker, James has a broad base o...

WBCN in Boston, MA is one of the storied freeform FM stations in American commercial radio history. We’re talking about it because there’s a recent documentary film, entitled “WBCN and the American Revolution,” that dives into its history, and how WBCN’s early days in the late 60s and early 70s are intertwined with the counter culture movement in that city. Our guest is filmmaker Bill Lichtenstein, who was also on-air at WBCN during its formative years. Though much has been said about cities li...

Ken Freedman is the General Manager and the Program Director of WFMU, a free form community radio station in Jersey City, New Jersey that prides itself on it’s live, in studio sound from every one of it’s DJ’s. So this particular crisis, the Pandemic and the Lock Down, is a unique challenge. “This disaster is so completely different from any disaster we’ve ever had before such as 9-11, or Hurricane Sandy,” Ken told us on this week’s episode. They are running the station with a small skeleton cr...

Raven Radio, KCAW-FM, serves Sitka and the remote communities of Southeast Alaska with public radio content, local news and volunteer-produced programming. Like “shelter in place” elsewhere in the lower 48, Sitka is on what they call a “hunker down” advisory. We talk with KCAW General Manager and friend of the show, Becky Meiers about how the station is balancing staff safety and vital public service during the COVID-19 pandemic. Right now radio broadcasters are considered essential personnel, ...

The University of Virgina’s WTJU now only permits one person in their studios at one time and has five remote locations ready to take over live broadcasting. That’s a couple of ways that community and college stations are coping with the COVID-19 pandemic. Community radio WTJU General Manager Nathan Moore joins this week to explain how university campus-based stations are coping with the ever-changing situation. He is also the staff adviser to student-run LPFM WXTJ. He tells us how forging alli...

Community and college radio stations are unique in broadcasting because in addition to being important community services, many are also a community crossroads, hosting dozens or hundreds of people in their studios and spaces in any given week. That means the novel coronavirus COVID-19 pandemic poses a specific challenge for these broadcasters. KPFA’s “UpFront” co-host Brian Edwards-Tiekert and National Federation of Community Broadcasters program director Ernesto Aguilar join to help us unders...

FCC policy has left media ownership diversity at “obnoxiously low levels,” especially considering that more minority and women ownership is one of the desired objectives. That’s what Prof. Chris Terry from the University of Minnesota tells us on this week’s show. The Commission may be headed to the Supreme Court to defend its diversity policy, along with other attempts at ownership rules, after striking out at the Third Circuit Court of Appeals an astonishing four times in 2004, 2011, 2016 and ...

Jennifer, Eric and Paul have some college radio news to review, but first they pull back the curtain to survey the state of affairs in Radio Survivorland. They note some recent attention from The A.V. Club and Podnews along with a nice uptick in podcast audience as they reflect on the importance of sticking with and your niche, and how passion for that niche can build a like-minded community over time. Sad news comes from the University of the South, which just turned in its license for WUTS-FM...

In New Zealand a dozen partially government-funded radio stations are charged with providing access to under-represented groups and communities. Wellington Access Radio, situated in New Zealand’s capital city, was the first station of its kind in that country, and station manager Kristen Paterson tells us more about its history and mission. Kristen explains the funding model for community access radio, which differs significantly from community radio in the United States. In fact, there is no h...

Radio waves don’t obey borders, and stations have been taking advantage of this fact since the dawn of the medium – often despite the rules of government regulators where the signals go. Dr. Kevin Curran of Arizona State University has been studying border radio stations extensively, making it the subject of his doctoral dissertation. Everyone has a ton of radio nerd fun as he takes us back to the 1920s, when Canadian and U.S. regulators struck a treaty to split up the AM dial and limit maximum...

Scholar Jocelyn Robinson says about one-third of Historically Black Colleges and Universities have radio stations. Her mission is to survey them and help preserve their histories and recorded legacies through the HBCU Radio Station Archival Survey Project, which she directs. On this episode Robinson tells us about this project, and explains why it’s important to preserve this heritage. Her interest in radio was sparked at WYSO-FM in Yellow Springs, Ohio, a station founded by college students wh...

Eric Nuzum started NPR’s podcasting efforts in 2005 where he worked for over a decade and helped produce hit shows like “TED Radio Hour” and “Invisibila” – he left NPR for Audible, where he led Amazons efforts in the realm of short form audio and podcasts until 2018. Eric Nuzum is currently a consultant and podcast maker with his company Magnificent Noise and is the author of the new book “Make Noise: A Creator’s Guide to Podcasting and Great Audio Storytelling. On Radio Survivor today we talk...

On this week’s episode we learn about a brand new project at the Library of Congress that is focused entirely on archiving podcasts. Ted Westervelt, Manager of the Podcast Preservation Project at Library of Congress, joins us to share early details from this new initiative. He explains that the hope is that a wide variety of all types of podcasts will be part of the collection, including the Radio Survivor Podcast. Show Notes: Library of Congress Artist in the Archive: Be the Bit (Library of C...

The PIRATE Act, recently passed by Congress, is intended to stem the tide of unlicensed radio broadcasting by providing the Federal Communications Commission with new tools. Chief amongst them are new maximum fines, and a shortcut to issuing them. But will this really work? Author and radio scholar John Anderson says that a lot of the Act’s provisions amount to “unfunded mandates,” requiring the FCC to make semi-annual sweeps in pirate radio hotspots, but without any additional budget. John joi...

Last week we declared that the 2010s were a banner decade for community radio. As Jennifer notes, though college radio had a tough start to the last decade, with the loss of prominent stations like KUSF, KTRU and WRVU, the service seriously bounced back, aided by factors like the low-power FM boom, internet radio, HD Radio and support from the new College Radio Foundation. That all adds up to the defensible declaration that it was also the biggest growth decade for college radio, too. We unpack ...

We begin part one of our review of the last decade in radio with the observation that it saw the greatest expansion of community radio in history. Though the second US LPFM licensing window that happened in 2013 is a significant driver, the growth happened all over the world. The 2010s were also a growth period for a lesser-known type of radio station, that isn’t officially even radio. We’re talking about FrankenFM TV stations that can be heard on the FM dial. Not remotely as numerous as low-po...

Here at the close of 2019 and the beginning of 2020 we’re celebrating the 31st anniversary of the end of one of the most fascinating periods in radio broadcast history, when pirate radio ruled the Irish airwaves. We enjoyed this interview – recorded at the beginning of 2019 – and we think you will, too. For about a decade, ending in 1988, pirate stations dominated the Irish radio bands, exploiting a loophole in the law that made punishments for unlicensed broadcasting on par with a speeding tick...