Episodes

Last time we talked about how lack of time is a universal frustration for people who want to write. And I offered a solution that could kickstart your writing and prove to yourself it can be done—you can write even when you think you have no time at al...

I hear it all the time. It doesn't seem to matter what stage of life we're in or what part of the world we're from. Regardless of age or gender or personality type, everyone says it: "I want to write, but I don’t have the time." Time Management Systems Only Part of the Solution You might think the only solution is to quit your job or hire a nanny. More likely, you’ve given up. Well, I guess that’s where you’re finding yourself if you’re someone who wants to write but doesn’t because of time…or l...

A lot of my clients are preparing nonfiction book proposals to send out to agents and publishers. One of the sections they have to think through is their primary audience or target reader. We have to identify who this book is intended to impact.

In Monty Python and the Holy Grail, we follow the saga of King Arthur and his knights when, at one point, they encounter the Keeper of the Bridge of Death. Arthur explains that the Keeper of the Bridge of Death asks each traveler three questions.

Writers have to churn out content of all kinds, from blog articles and guest posts to magazine pitches and book proposals. You never want the well to run dry, yet you may have faced days when you opened your laptop and stared at the screen without a si...

In fiction writing, we refer to plotters and pantsers: those who like to outline their plot and write in an organized manner, the “plotters"; and those who write-by-the-seat-of-their-pants, the "pantsers.” Each approach reflects when and how you do your thinking. I know every writer has specifics to his or her approach, but here’s the general idea. Plotter, Pantser The plotter is imagining his characters and thinking through their struggles up front, before he writes a single word, planning out ...

In Rumors of Water, L.L. Barkat recommends a book to her daughter. Barkat is out in the garden with her girls, who are pulling weeds, and one of the girls, Sara, has decided she hates Bishop’s Weed. Barkat tells Sara,

Young people graduate high school or college, apply for positions, and get stuck: no one will hire them because they have no experience, but they can’t get experience because no one will hire them. So they get a job at Starbucks to pay bills,

Last time we talked about taking a cue from Dani Shapiro and attempting to tell the story as we’re inside of it—potentially before the story has become a story. This requires us to write about life as it’s unfolding,

In her recently released memoir, Hourglass, Dani Shapiro says she used to teach her students that writers need distance from the event or events they intend to explore in memoir. I was quite certain that we could not write directly from our feelings,

Last time we discussed a writing pipeline, representing the phases or stages a project moves through, from the initial idea to completion—including when it's been published and you save it in a portfolio. Now let’s talk editorial calendars. Life Without an Editorial Calendar For years I got by writing on the fly. I'd have a few minutes free, think up an idea, whip out a draft, and with just a little more time that night or the next morning, I could edit the piece into a solid article to send out...

Have you ever sat down at the computer when you finally carved out time to write, only to discover you have no idea where to start or what to say? You end up wasting a lot of precious time if that’s your approach. In times like that,

Ideas pop into my head all the time: while walking, doing household chores, waiting in a carpool lane, sitting poolside, or even as I'm just falling asleep. If I have paper and pen, great. I can write them down. Or if I have time to pull out my bluetooth keyboard and type them up, cool. We discussed some of my favorite writing tools last week. But if you have a lot of ideas or a rich, detailed memory comes to you, wouldn’t it be nice to record it fully and quickly, before it evaporates or you’re...

I once asked a photographer the best camera to use. Before he shared his opinion, he said a common answer to that question is, "The best camera is the one you have with you." In other words, it doesn't matter how fancy your equipment is if, at the moment a hawk lands on a fence post next to you, your Canon EOS 5D Mark IV is sitting in the trunk of your car. At that moment, you slowly lift up your smartphone and, as quietly as possible, snap the photo with the equipment you have on hand. I think ...

You may already use a system to collect emails so you can communicate directly with readers who want to hear from you. If you’re unfamiliar with email marketing systems, they offer a powerful way for you to interact with your audience.

The publishing world is evolving, and no one knows quite when it will end and what it will look like. As a writer, you've probably been spotting new trends, new entry points, new expectations, new leaders, and new technology, wondering how you can possibly keep up with all that change. Well, you’re not alone. Everyone’s seeing all that new—all that change—and wondering how they can possibly keep up with it all. There’s only one way to have a chance at keeping up—and it’s the same way any of us h...

My mom, a journalist, was talking with a friend. She beamed at my brother. “Charlie, he’s the writer of the family. And Annie? She’s…” Here, I felt my mom hesitate. Then, “Annie’s the athlete.” My brother excelled in everything involving words—from com...

As we seek out mentor texts to imitate or emulate, we encourage the mindset of comparison. When I suggested you search out writing you admire, you’re going to be drawn to a writer you look up to, whose work dazzles when you compare it with your own. Naturally, this writer naturally seems superior to you in some way—otherwise, why would you select this author to learn from? It’s appropriate to admire skilled authors, which is why Ben Franklin's method and straightforward copywork help us learn fr...

Children used to be assigned copywork so they could practice penmanship and be exposed to great poetry, sayings, and passages from literature. But copywork’s not just for kids. You may recall from Episode 106 that Ben Franklin’s method is similar to copywork: He picked an essay or article he read and admired, took a few notes on each sentence—just a word or two—set aside the original, and some time later tried to recreate the original using the hints he had written down. Like I said, it isn’t ex...

A brief word of warning: this is a longer-than-usual episode. Instead of falling within the typical five- to eight-minute range, this episode clocks in at over 11 minutes. Are you a carnivorous reader? Francine Prose says in Reading Like a Writer: I’ve heard the way a writer reads described as “reading carnivorously.” What I’ve always assumed that this means is not, as the expression might seem to imply, reading for what can be ingested, stolen, or borrowed, but rather for what can be admired, a...

We stepped inside the cave entrance and followed our guide down narrow passageways to see its wonders. The Mark Twain Cave, a national landmark just outside Hannibal, Missouri, was the cave Samuel Langhorne Clemens explored in his youth and used as inspiration for the cave featured in The Adventures of Tom Sawyer when Tom Sawyer […]

"If you want to be a writer, you must do two things above all others: read a lot and write a lot.” ~ Stephen King You’ll hear that advice a lot. You want to write? Read a lot and write a lot. Simple as that. But is it that simple? Do we simply open the book, read and enjoy the story or helpful ideas, and automatically absorb the content? Or do we need to read with a plan or a strategy of some kind? Is there a way to take in and retain the content, be inspired by the style, and learn methods to a...

Memoir depends upon memories, yet memory is a living thing—a slippery, unreliable thing. In her book The Art of Memoir, Mary Karr describes memory as "a pinball in a machine—it messily ricochets around between image, idea, fragments of scenes, stories you’ve heard. Then the machine goes tilt and snaps off" (Karr 1). How can we trust this tilting machine to deliver something whole and wholly reliable? If we want to incorporate even short memories into our work to serve as illustrations, Karr says...

I heard Seth Godin interviewed on a podcast. He said: The fact that the market is noisy is not the same as the fact that your work is mediocre. Mediocre work is mediocre work! And we have a choice instead to dig super deep and bring stuff to the table that is worth talking about. […]