Episodes

After putting his trumpet in the closet for several years, guitarist and trumpeter Rhys Chatham returns to the instrument in a new way on Outdoor Spell (Northern Spy Records, 2011). In this interview, Chatham talks about going back to the trumpet but playing it with fewer effects; how his attendance at a 1976 Ramones show altered the course of his musical life; and how his music has evolved over time while retaining a distinctive compositional identity. Learn more at www.rhyschatham.net. NOTE: ...

Italian guitarist Marco Cappelli’s new DVD is In The Shadow Of No Towers, a multimedia project exploring September 11 and its aftermath. The project features an animated graphic novel by artist Art Spiegelman (Maus) and narration by actor John Turturro. In this interview, Cappelli talks about how this remarkable project came to exist; the interesting history of the band that made the music for the DVD; and how he came to play his current modified guitar. Also featured in this interview is music ...

Guitarist Gilad Hekselman’s new album is Hearts Wide Open (Le Chant du Monde, 2011). In this interview, Hekselman talks about expressing his emotions through music; his musical upbringing in Israel; and how he uses interesting rhythmic devices in his compositions. Learn more at www.giladhekselman.com and follow him on Twitter at @GiladHekselman.

Trumpeter Ben Syversen’s most recent record is Cracked Vessel (2010). In this interview, Syversen talks about the wealth of inspiration available in New York; how authors such as Roberto Bolagno have influenced his music; and why it’s important for him to write for specific musicians. Learn more at bensyversen.com and follow him on Twitter at @bensyversen.

Pianist Carmen Staaf’s most recent CD is a trio recording called Eye To Eye (2011). In this interview, Staaf talks about duo and trio playing; her travels to India; and how her music has been affected by everything from anthropology to meditation. Learn more at www.carmenstaaf.com and follow her on Twitter at @carmenstaaf.

Bassist Ron Carter’s 1973 CTI recording All Blues has just been reissued. In this interview, Carter talks about the making of the album and how he chose the band; why he thinks jazz schools need a broader vision; and why he supports labor unions. Learn more at roncarter.net.

Renée Yoxon is a vocalist from Ottawa, Ontario. Her debut recording, Let’s Call It A Day, is a duet album with guitarist René Gely. In this interview, Yoxon talks about the jazz scene in Ottawa; how she started singing standards and why she still does; and how her science background has influenced the way she approaches the physicality of singing. Learn more at www.reneeyoxon.com and follow her on Twitter at @reneeyoxon.

Pianist and keyboardist Jamie Saft explores his love for reggae, dub and improvisation on New Zion Trio (Veal Records, 2011). In this interview, Saft talks about the merger of those disparate musical elements; why he doesn’t write music on paper; and why he’d rather hear Slayer than “Stella By Starlight.” Learn more at www.jamiesaft.com.

For The Jazz Session’s 300th episode, a rare chance to sit down with four musical veterans: David S. Ware, William Parker, Cooper-Moore and Muhammad Ali. The four have just released Planetary Unknown (Aum Fidelity, 2011). This interview was recorded in the dressing room just after their performance at the 2011 Vision Festival. In this interview, they talk about the spiritual side of music; give advice to young musicians; and tell stories from their 100+ years as performers. Learn more at Aum Fid...

Tyshawn Sorey is a forward-looking, broad-thinking player and composer who refuses to be categorized. In this interview, he talks about his use of silence; interesting ways to set up the drums; and perceptions of African-American composers. Learn more at http://www.tyshawnsorey.net/. Tracks used in this episode: (from Koan) Awakening; (from Paradoxical Frog) Homograph; (from Koan) Only One Sky; (from That/Not) That’s Blues, Right; Permutations For Solo Piano; (from Koan) Embed.

Saxophonist Ingrid Laubrock’s most recent album is The Madness Of Crowds (Intakt, 2011) with the band Sleepthief. She’s also part of the trio Paradoxical Frog with Kris Davis and Tyshawn Sorey. In this interview, Laubrock talks about her self-taught entry into improvised music; her collaborations with a variety of musicians; and why she went back to study standards even though she doesn’t often play them. Learn more at www.ingridlaubrock.com/pages/home.htm. Programming note: Due to a technical ...

An interview and performance with vocalist Kyoko Kitamura and trombonist Jen Baker, recorded live at Downtown Music Gallery in Manhattan. In this interview, Kitamura and Baker talk about collective improvisation; building a new vocabulary; and the structures of their compositions. Learn more at kyokokitamura.com and baker7jenz.com/home.html.

Trombonist Joe Fiedler’s new CD is Sacred Chrome Orb (Yellow Sound, 2011). In this interview, Fiedler talks about the evolution of his trio with John Hebert and Michael Sarin; his use of multiphonics; and why he needs his music to contain fun and humor. Learn more at www.joefiedler.com. Tracks used in this episode: Occult; Next Phase; Sacred Chrome Orb; Ging Gong; Two Kooks.

Bassist Ken Filiano’s new album is Dreams From A Clown Car (Clean Feed, 2011). In this interview, Filiano talks about remaining present and free of preconceptions; how he switched from trumpet to bass a few weeks before graduating college; and what inspires him to read and listen eclectically. Learn more at myspace.com/kenfiliano. Tracks used in this episode: (from Dreams From A Clown Car) Silhouette; Dog Days; Beguiled; (from Subvenire) water down stone; breathingdreaming; relay; (from Dreams ...

Drummer Ches Smith is a versatile and daring player who finds himself in a variety of musical situations as a leader and sideman. In this interview, Smith talks about solo drum playing; his many projects; and how his early years influenced his current approach to music without boundaries. Learn more at chessmith.com. Tracks used in this episode: (from Noise To Men) Noise To Men; (from Congs For Brums) Metal Vacation; (from Finally Out Of My Hands) Anxiety Disorder; Finally Out Of My Hands; (fro...

Percussionist and composer Adam Rudolph’s latest album is Both/And (Meta Records, 2011). In this interview, Rudolph talks about making music that “sounds like itself”; how he uses harmonic and rhythmic challenges to find new musical directions; and the influence of mentors such as Yusef Lateef on his approach to making and thinking about music. Learn more at www.metarecords.com/adam.html. Tracks used in this episode: Return of the Magnificent Spirits; Love’s Light; Tree Line; Blues In Orbit; Da...

Vocalist Jay Clayton has long been known as both an accomplished singer of standards and a fearless adventurer in the world of electronics. In this interview, Clayton talks about those dual personas and how she brings them together; discusses her work with Sheila Jordan, Theo Bleckmann and others; and talks about her early days in the New York loft scene. Learn more at jayclayton.com. Tracks used in this episode: (from In And Out Of Love) Falling In Love With Love; Freedom Jazz Dance; (from Cir...

Pianist Satoko Fujii and trumpeter Natsuki Tamura have been making adventurous music together for years. In this interview, they talk about the influences of Japanese folk music; the need for risk and fun in music; and why they’re involved in so many diverse projects. Learn more at satokofujii.com and natsukitamura.com. Tracks used in this episode: (from Watershed by Satoko Fujii’s Min-Yoh Ensemble) The Thaw; Whitewater; Soranbushi; (From Rafale by the band Kaze with Fujii and Tamura) Noise Cho...

Pianist Kris Davis is part of several ensembles, including her trio with John Hebert and Tom Rainey on Good Citizen (Fresh Sound New Talent, 2010) and a trio with Ingrid Laubrock and Tyshawn Sorey on the eponymous Paradoxical Frog (Clean Feed, 2010). In this interview, Davis talks about learning to leave space in the music; her studies of classical composition; and the many projects and recordings in which she’s involved. Learn more at krisdavis.net. Tracks used in this episode: (from Paradoxic...

Saxophonist Jim Snidero’s new CD is Interface (Savant, 2011). In this interview, Snidero talks about the use of acoustic guitar on this record; his concept of “warm jazz”; and what makes music appealing to him both intellectually and emotionally. Learn more at jimsnidero.com. Tracks used in this episode: Interface; Fallout; Silhouette; Viper; One By One; Expectations.

Cuban Rhapsody (Alma Records, 2011) is a duet CD by saxophonist and flautist Jane Bunnett and pianist Hilario Duran. In this interview, Bunnett and Duran talk about the joys and challenges of duet playing; the deep history of the album’s repertoire; and the idea of music without boundaries. Learn more at www.janebunnett.com and www.hilarioduran.com. Tracks used in this episode: Lagrimas Negras; Almendra; Sherezad; Contradanzas; Longina; Son de la Loma.

Guitarist Nadav Remez’s debut CD is So Far (Brooklyn Jazz Underground Records, 2011). In this interview, Remez talks about his musical upbringing in Israel; his willingness to let his music be beautiful; and the way he approached the recording session with a view to allowing openness and individual expression. Learn more at nadavremez.com. Tracks used in this episode: So Far; Pinchas; The Last Exile; Susu.

Matana Roberts has released two albums recently: Live In London (Central Control, 2011) and Coin Coin Chapter One: Gens De Couleurs Libre (Constellation, 2011). In this interview, Roberts talks about her Chicago roots and the mentorship of Fred Anderson; how she combined her musical practice with her passion for genealogy; and why working on your sound means being willing to take the slow road. Learn more at matanaroberts.com. Tracks used in this episode: (from Coin Coin Chapter One: Gens De Co...

Bassist Ike Sturm has composed an ambitious piece for his album Jazzmass. In this interview, Sturm talks about learning the craft of large-ensemble writing (with a bit of family help); the role his faith plays in his music; and the idea of writing programmatic music that stands on its own. Learn more at ikesturm.com.